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“… The quintet preparations are … ingenious in rendering the piano textures of Schumann’s creative Impromptus on a concept of Clara Wieck, and of the Rubinstein Nocturne, as a result of Onyx’s deftness of articulation. Again, the Festal Tunes for the City of Vienna may not be best-drawer Strauss, but its sequence of fanfares and hymnodies